Perfection in diamond cutting exists and can be obtained,
absolutely. In fact, it is the responsibility of cutters to
make each stone the highest expression of diamond beauty.
So why aren't all diamonds perfectly cut? Read on...
Perfect cutting is a fine art and, like any other art, is
both a symbol and an instance of realizing one's highest human
potential. This art is expressed not by forcing the diamond
into a perfect cut, but by simply allowing the diamond to
be what nature designed it to be: the greatest medium of light
reflection and refraction known. Then, and only then, with
knowledge, patience and great skill does the artist help that
diamond to achieve its own perfection.
Article From the San Francisco Chronicle.
Cut, color, clarity and carats
EightStar in Sonoma County producing diamonds that dazzle
Alison von Sternberg thinks of herself as cutting diamonds
from the inside out. It takes a Zen state of mind.
In her Sonoma County workshop, the bright-eyed 43-year-old
sat serenely behind her scaife, a diamond-cutting wheel that
looks like a record turntable, albeit one that spins at 3,800
rpm. Coated with diamond dust and olive oil, it abrades the
side of a diamond to create a facet.
"You have to be with the diamond all the time,"
von Sternberg said. "I think of it as sculpting because
I'm making a work of art. Every diamond is different, so it
doesn't get boring."
Of the tens of thousands of diamond cutters in the world,
only a handful are women, and von Sternberg is considered
among the best.
Alison and her husband, Richard von Sternberg, 58, say they
have perfected a method of cutting that makes a diamond leap
incandescently to life, shot through with brilliance (white
light) and fire (colored light). Under a special viewing mechanism
called a Firescope, it shows a distinctive eight- spoke pattern.
The couple named their cut and their company EightStar. They
say their techniques could revolutionize diamonds -- but it's
not clear whether the diamond industry will receive them with
open arms or a cold shoulder.
Last year, EightStar came up with a nifty publicity stunt.
A Swiss diamond enthusiast who has a 25 percent stake in the
company bought a spectacular, $2.3 million diamond to be recut
to EightStar proportions. An EightStar cutter reduced it from
14.89 carats to 13.42, lopping off a quarter- million dollars'
worth of weight.
"Every little bit of weight that comes off makes people
sick to their stomach," Richard said. "People who
heard we were going to do this thought we were nuts."
But the new cut made the light dance and the colors vibrate
inside, he said.
Greg Cotton, 44, saw the diamond, called the American Star,
on tour and was so inspired that he quit his job as a firefighter
in the Sierra to apprentice as an EightStar diamond cutter.
In his first month he was bubbling with enthusiasm even though
it will be more than a year before he qualifies as a master
cutter.
"I've always had a thing for gems," he said. "This
job gives me science and art in one job."
With nine cutters, some of whom work out of their homes,
plus six other employees, EightStar is diminutive. It turns
out about 2,000 diamonds a year, a 10th of the volume of bigger
companies.
Richard von Sternberg said annual sales are in the millions
of dollars. He declined to specify the profit margin, although
he said it's low because the cutting process is so labor intensive.
The von Sternbergs were dealers of colored gemstones until
a theft wiped out their inventory. They stumbled into EightStar
when an acquaintance opened a diamond-cutting factory in Sonoma
County using techniques that a Japanese expert had spent years
perfecting. They bought the company in 1991 for less than
$1 million when their acquaintance decided it was too overwhelming
an enterprise for him.
EightStar cutters spend an average of 32 hours to cut a single
diamond. Once, a single facet (there are 58 facets in an "ideal"
cut) of a particularly adamantine stone took Alison 90 days.
Cutting factories in Israel and India crank diamonds out like
widgets at the rate of one every 45 minutes.
EightStar diamonds cost about 40 percent more than those
mass-produced gems, but some jewelers say they're worth it.
David Berryhill, co-owner of Morrison's Jewelers in Orinda,
said he was initially skeptical of EightStar's claims, but
after studying its methods and viewing some diamonds, became
a convert and an authorized dealer.
"You can see an EightStar stone jumping out of the ring
even if the customer is 30 feet away across the room,"
he said. As for the price, "it's like buying a limited
edition lithograph."
At E.R. Sawyers Jewelers in Santa Rosa, owner Doug Van Dyke
laid out three diamonds against black velvet. One seemed clearly
larger and more dazzling.
"That's the EightStar," he said with an element
of "gotcha" in his tone. "It's three-quarters
of a carat. The other two are each one carat. The cut makes
the EightStar look bigger."
Van Dyke and Berryhill are among 63 jewelers who carry EightStar
diamonds. Each has an exclusive territory, similar to the
model followed by Rolex.
The American Gem Society and the Gemological Institute of
America, the two major labs that grade diamonds, have begun
to recognize cut as a critical factor.
Peter Yantzer, director of the grading laboratory for the
American Gem Society, agreed that cut affects perception of
size.
"A well-cut diamond can out-sparkle and appear larger
than a poorly cut diamond of more carat weight," he wrote
in an e-mail. "Additionally, because of their brilliance,
well-cut diamonds also can mask a diamond's imperfections
in color and clarity."
As for EightStar, Yantzer wrote: "They cut to a very
high degree of precision, and their diamonds fit the parameters
of AGS' top grade. Like many other firms worldwide, this is
an ideal situation for cut."
Alex Angelle, a spokesman for the Gemological Institute of
America, declined to comment directly on EightStar or any
other company.
Although the institute grades diamonds' cut, it is not a
qualitative judgment, he said, "just a description of
the proportions and the measurements of the diamond. There
are a number of branded cuts. We don't comment on that currently."
Until recently, cut was the least noticed of the four Cs
of grading diamonds -- cut, color, clarity and carats -- even
though it is the only factor that humans can influence.
Now, diamond companies have begun to market cut as a way
to differentiate their products. Signature cuts such as Tiffany
& Co.'s Lucida command premium prices. At the same time
the upper end gets more rarified, diamonds are going further
down market; Wal-Mart is now the country's biggest seller
of the gems.
To the layperson, "cutting" a diamond seems like
a misnomer. Strictly speaking, what appears to be going on
is grinding, one facet at a time, interspersed with meticulous
checking through a jewelers loupe and with an optical viewer
to ensure that the angles are perfectly aligned.
Before she became a cutter, Alison von Sternberg thought
the term was meant literally.
"I pictured little guys with little chisels and glasses
way down their nose," she said. "I had no idea it
was so technical and mathematical."
Her quiet repose behind the wheel contrasted with the edgier
energy of her husband, who paced around and struck tai-chi
like poses as he spilled forth a constant stream of arcane
and learned minutiae about diamond cutting.
Despite being the hardest known substance in the universe,
diamonds can shatter in the hands of an inexperienced cutter.
"A diamond doesn't do anything you want it to,"
he said.
Some diamond experts question whether branded cuts are worth
the extra money or are just a marketing gimmick.
"I think EightStar puts out a wonderful product that
is overpriced and overpromoted," said Robert James, a
gemologist in San Antonio, Texas.
"If you have to carry an ideal (viewing) scope around
with you to explain to friends why you paid so much more for
your diamond than theirs ... you have paid too much for your
diamond," he wrote in an online discussion. He wrote
that the party test -- how a gem looks out in the real world
-- is the best gauge.
James has a similar opinion of Hearts on Fire, a Boston company
that pioneered diamond branding with a signature cut and an
aggressive marketing campaign. Started in 1996, the company
now cuts 20,000 diamonds a year that are sold through 450
dealers worldwide.
Maarten de Witte, whose title is diamond wizard for Hearts
on Fire, said that the best way to judge a diamond is by looking
at it. De Witte, who once worked for EightStar, declined to
comment directly on its claim of having the best-cut diamond.
Hearts on Fire, in defiance of generations of English teachers,
has trademarked the phrase, "The world's most perfectly
cut diamond."
The von Sternbergs say that the diamond establishment has
shied away from endorsing their techniques because it could
have huge ramifications for big companies in the multibillion-dollar
industry. If the EightStar cut really is the best, other diamond
merchants are holding bags of rocks that suddenly may be worth
a lot less.
"We're the pariah of the industry," Alison said.
"We're trying to promote something new that threatens
everybody. It's been an uphill climb to get any recognition."
Gregory Sherman, an independent jewelry consultant who teaches
gemology at the California Institute of Jewelry Training in
Carmichael (Sacramento County), says EightStar's ultimate
role is as a boutique cutting firm that produces superior
stones.
"Each diamond is as different as a snowflake or a fingerprint,"
he said. "If you take a standard approach to cutting
a diamond (as do most diamond cutters) and expect each to
perform the same based on external measurements, they won't
all come out the same."
EightStar, by contrast, "adjusts the proportions to
fit each individual diamond and make each as beautiful as
it can be," he said.
"They look at the relationship between each facet, the
symmetry, the way they're angled. They're the only company
I know of that does that, and their diamonds are cut to perfection."
E-mail Carolyn Said at csaid@sfchronicle.com.
Full Article with images located here SFGate.com